With five decades shooting urban and natural landscapes, Lee Backer has much experience to draw from. Lee’s upbringing in Brooklyn and the New Jersey’s dairy country may explain his passion for both urban and natural environments. Now in his 50th year behind the camera, Lee’s body of work reflects his worldly travels from Morocco to Machu Picchu, as well as images captured in his part-time home of New York City.
Focus on what you're feeling.
In the work Lee shares with Artie’s Eight, the city images highlight the vibrant colors of each scene. The three photos from New Zealand, Oregon and Central Park are in black-and-white on purpose: to focus on the shapes, lines and textures in each composition. Personally, I find the dream-like quality Lee’s photo of New Zealand’s Milford Sound to be especially captivating. Here’s Lee’s advice for attaining this otherworldly effect: “Focus more on what you’re feeling and not as much on what you’re seeing,” he said in a video interview with the French television channel Museum TV.
Framing his art.
A recent exhibit of Lee’s “Tree Studies” included the cherry tree seen here, photographed in Central Park. He chose Wood Frame Profile 502A in Burgundy for framing the series. “I ordered the complete kit for all 12: frame, glass, mat and backing board. Everything arrived quickly and in perfect condition.” Feedback like that always makes our day.
See more of his work.
Now that Lee is retired from his technology career, he can hone his craft full-time. We can’t wait to see where he goes next. Explore galleries of Lee’s work at leebacker.com. Or simply read on if you’d like to know Lee’s greatest gadget regret along with wisdom gleaned from his class with Leonard Freed.
Now for Artie’s Eight with Lee Backer…
1. What is your background; how did you get started?
After college, I started my first full-time job. I eventually got time off for vacation. While planning my first trip, it occurred to me that most people take a camera along in order to bring back pictures to show friends and family, and that I should do the same. Before that, I had never paid much attention to cameras or photography. When I returned from the vacation, I became friends with someone who had been photographing for a while. He showed me his photographs, which I thought were beautiful. So when I showed him my vacation photos, I was quite surprised when he said I had a good eye for photography and urged me to pursue it. I did, and I've been hooked ever since.
2. How important is it for a photographer to “connect” with their subject?
As a fine art photographer, I want to make a photograph because there is something in the subject that attracts me. It is not a surface attraction like a pretty sunset, but something that resonates deeper inside. These often turn out to be my strongest images.
3. What has been a formative experience or the best advice you’ve received within your career?
I have taken a few classes and workshops over the years with photographers whose work I admire. The very first class I took was with Leonard Freed, who at the time had just been invited to join the Magnum photo agency. He said one thing that I will always remember: “Technical excellence in a print is not something to be praised; it is to be expected.” For me this means that to master the craft of photography is not an end in itself, but rather the means to be able to employ the skills and techniques that are needed to express exactly what I want in a print. The technical ability is there to support the art.
4. What ways does your work reflect your personality?
I tend to lean toward quiet, contemplative imagery. I suspect it reflects my introspective personality. Even though I no longer use a view camera, the care and thought that went into exposing a single sheet of film has stayed with me. I now use a digital camera, but I still don't make a lot of exposures when I go out shooting. Before I click the shutter, I ask myself questions: Why am I taking this picture? Is this the best way to frame it? Do I envision the final image in color or black and white? And so on.
5. Creative blocks, do you get them? If so, how do you overcome them?
When I reach the end of a project and don't know what I want to do for the next one, I find inspiration by looking at photo books or going online to view images of photographers I like. I may also review my catalog of photos to see what inspired me in the past. I may see something in a photo taken years ago, something I didn't notice before, that gets me thinking in a new way.
6. What is your most indispensable tool? (Not counting the obvious, like paints, brushes, canvas, camera, etc.)
For me the print is still the best way to present an image. I want to have total control over the printmaking process, and for this I rely on my fine-art inkjet printer.
7. Do you have a new project you are working on, or a new passionate idea?
I continue to explore the idea that a tree, when recognized as an individual being, can be seen to have its own beauty, personality, challenges and life story on display. Since my 2017 “Tree Studies” exhibition at the Soho Photo Gallery in New York City, I decided to expand the portfolio and possibly make a book.
8. What “fad” gadget do you most regret purchasing?
Years ago I bought a camera bag because it looked good and I thought it promoted the image of a “professional photographer,” which I was not. The bag had so many straps, buckles, zippers, and snaps that it took way too long to access what I needed or to stow all my gear away.
All artwork and/or photographs used in this post are subject to copyright held by the featured artist.
ARE YOU READY FOR THE SPOTLIGHT? Simply respond to the questionnaire here to apply to be included in an upcoming Artie’s Eight Spotlight.
With five decades shooting urban and natural landscapes, Lee Backer has much experience to draw from. Lee’s upbringing in Brooklyn and the New Jersey’s dairy country may explain his passion for both urban and natural environments. Now in his 50th year behind the camera, Lee’s body of work reflects his worldly travels from Morocco to […]
Coastal areas are perfect for soaking up the sun and relaxing with strolls on the beach or through inviting local shops full of regional treasures. Clean, bright, and breezy art is a cash-cow for most coastal retailers and often the decor of choice for homes in these area.
Sleek unassuming white picture frames are unmistakably perfect for framing coastal or nautical themed prints or artwork. Homeowners and professional artists alike are finding the versatility of white or light colored frames makes them perfect for other styles of art as well, notably for botanical or nature-based themes and art that exudes bright hues.
Contemporary white frames with a clean sophisticated look such as the Nielsen Profile 117 and rustic white frames in the distressed style exhibited in our profile P531, create the perfect complement to the shiplap walls and white oak hardwood flooring that enhances the cottage feel of designer Raquel Garcia's airy Cape Cod home. White frames display mirrors or art in almost every room of her Connecticut home where she explains “peace and calm” are the emotions that encapsulate her design aesthetic.
White picture frames are also the perfect contrast to everything from ancient sun-kissed Spanish terra cotta tiles to modern decor and soft color palettes to vivid photography and patterns as exhibited in these examples from our creative Frame Destination customers.
The Rising Demand for Distressed Wood Mouldings
Recently we’ve seen an increase in the popularity for distressed white wood moldings. Though a mainstay on the coasts as well as in the southern US where whitewashed or barn wood moldings are extremely popular, in the rest of the country distressed moldings are increasing in demand as well. Many decor experts have listed texture as one of the predominate trends for 2019 as we see a desire emerging to move away from minimalism and back to the richness of texture and interest in our surroundings.
In addition to timelessness and texture, distressed mouldings add a sense of authenticity and craftsmanship to their surroundings. Our distressed white wood moulding, Profile 554 (Etched White) is a funky, folk-art style wood picture frame that features a slightly sloped 1 1/8 wide face to draw the eye down to the art. It’s versatile enough to grace the walls of a cottage or to showcase art in an eclectic gallery show.
Our Profile 531 (Distressed White) is a modern farmhouse-style wood picture frame moulding with a more heavily distressed surface. Its wide 1 1/8-inch face make it ideal for country home décor or a destination gallery show. To make your canvas art stand out, choose our canvas floater frame F312 which is available in a distressed matte white.
Tips on Mat Board Selections for White Frames
Mat board covers, protects, and enhances artwork and is part of a complete framing package that includes backer board, glass or acrylic glazing, and a picture frame. One of the misconceptions about using white mats with white picture frames is that they always have to match. This is a fallacy because tonal differences between the frame and mat board can actually create interest and enhance the artwork. To better understand the differences in white mat board colors or if you are curious which color of white is right for your art, see our blog post White Mat Boards for Picture Frames:
Understanding the Differences in Color. We also offer both frame samples and mat board samples if you need to compare colors in person.
Two Ordering Options and Quick Link for White Frames
Our Find-A-Frame ordering option allows you to simply click and go with filters that help you quickly find the right type, size, and style to perfectly fit your needs. Simply visit our new white picture frames quick-link under our Picture Frame category. Featured here is over 100 standard sizes or configurations of white frames kits including our whitewashed and distressed style frames, all which include a free hanging kit.
If you love the idea of a white frame, but aren't quite sure if the opaque white frame or the whitewash/distressed look is best for your art, browse all styles and design your own custom frame in our Build-A-Frame shop which also allows you to explore the different hues of mat boards that best fit the tones and saturations of your art.
White frames have proven to be versatile enough to achieve both a subtle complement and a stark contrast. For visitors to coastal areas, distressed white frames may simply be a fond reminder of the region visited as they mimic the appeal of driftwood near the ocean, but distressed styles which echo the timeless popularity of traditional wood frames are now seen as fitting for many different types of art and home decor.
Coastal areas are perfect for soaking up the sun and relaxing with strolls on the beach or through inviting local shops full of regional treasures. Clean, bright, and breezy art is a cash-cow for most coastal retailers and often the decor of choice for homes in these area. Sleek unassuming white picture frames are unmistakably […]
Photographer Jason Whitehead lives in Fredericksburg, a small town of German heritage in the heart of Texas Hill Country. Thanks to thriving vineyards, varied shopping and a slew of bed-and-breakfast inns, Jason’s hometown is no stranger to tourists who enjoy photographing the scenic terrain.
The humanity of the moment.
In order to differentiate his work, Jason uses a “fly-on-the-wall” approach. He shoots both digital and film, focusing on street, landscapes and portraits. In color and black and white, daytime and night, he explores architectural exteriors, a retro laundromat and other street imagery. Jason’s landscapes often juxtapose natural and manmade beauty, while his people portraits weave in an urban or natural backdrop for context. Whatever the subject, Jason’s goal is to bring out the “humanity of the moment,” as he quotes Swiss-American photographer Robert Frank.
Framing his latest exhibit.
Frame Destination founder Mark Rogers shares Jason’s appreciation for street photography, and is honored that Jason chooses Frame Destination products to display his talents. For Jason’s exhibit last fall, he selected Wood Frame Profile 502B in 14x19 with an acid-free foam-core backing, glass and mat board. When Jason discovered a scratch on one of the 25 frames, he contacted Frame Destination, who sent a new one the same day. “Unbelievable customer service and the best-quality products I’ve ever seen,” says Jason. “When I open my [online] store, I will offer your frames exclusively.” We appreciate that, Jason!
See more of his work.
To see more of Jason’s work, visit jasoncwhitehead.com or shop his Etsy store. To discover his take on patience and originality, where he got his start and how he deals with creative blocks, keep reading.
UPDATE: After Artie's interview with Jason, he was invited to a group show in Tribeca, NYC. Check it out:
Now for Artie’s Eight with Jason Whitehead…
1. What is your background; how did you get started?
I started in the late ’80s taking a Photojournalism class at Fredericksburg High School in Texas. We started on Pentax 35mm film cameras and it just went from there. Early '90s I "borrowed" my Aunt's Canon AE-1 35mm and moved to Amarillo, Texas. Took a number of amazing shots of the landscape out there. Got a job at the oldest family-run camera shop in that part of the state in Amarillo, and went to school for photography on their dime. After I left there, I kind of backed off of photography and just shot every once in a while with a Canon ELPH 35mm then just stopped completely until the summer of 2011 when I bought my first Canon DSLR with a 50mm 1.8 lens. After that I was hooked and I've turned it into a modest professional career outside of my day job with room to grow and learn. In 2017 I was "gifted" two film cameras: a Canon AE-1 Program 35mm and a Mamiya RZ67 120mm. Shooting film again gave me that feeling I first had when you had to think about the composition and know what you wanted. In November of 2018, I printed, mounted and framed my first exhibition in my hometown and it received a warm and positive turnout. Now I'm interested on opening an online shop, traveling and learning as much as I can. My main focus is street, portrait and landscape photography.
2. How important is it for a photographer to “connect” with their subject?
It's important because if you don't have their attention and find some way to capture and convey to the world what you're seeing, the audience and the subject will be lost. Even when it's a street shot or a landscape capture, you have to know what you're looking at. Especially when you're shooting film. Everything has to align just right in order for that exposure to be as good as it can be. With digital you can try as many times as you want. Which isn't a bad thing because it helps with the process. “There is one thing the photograph must contain, the humanity of the moment.” — Robert Frank
3. What has been a formative experience or the best advice you’ve received within your career?
Be patient and true to yourself. And always do good work. Because when you do good work, someone will always find it. Never copy or emulate. Always try to be as original as you can.
4. What ways does your work reflect your personality?
Because I live in a beautiful tourist town with vineyards and hills in Texas, there are a lot of photographers who capture the same settings over and over. My main goal is to capture my surroundings in a different light. I want my work to give the audience that fly-on-the-wall feeling with plenty of space around the subject to let you know where we are.
5. Creative blocks, do you get them? If so, how do you overcome them?
Yes, and I step away until it comes back. I put the cameras away and try and find another outlet for creativity, and then wait for inspiration to come back. Because you can always just go "shoot" without any results making it even worse because now you're just shooting because your mind needs to create a picture. Step away for a while. Listen to music, drive around and look at older photographers that you might not have seen before.
6. What is your most indispensable tool? (Not counting the obvious, like paints, brushes, canvas, camera, etc.)
Self awareness. I intensely research different photographer's work and always make sure I keep my work as original as possible and make sure my work is speaking to a certain group of people that wouldn't have thought of that composition before or letting them know it's ok to think for yourself when composing a shot. Self awareness, originality and always being open to whatever it is I'm shooting.
7. Do you have a new project you are working on, or a new passionate idea?
I'm currently working on my second online store. I'm also thinking about my next exhibition of older and new works. Stripping everything down to the bare essentials and starting from scratch. Trying not to be influenced by anyone and just shooting what I know and what I'm good at. Traveling more as well. You can't capture the world if you're stuck in the same place shooting the same thing.
8. What “fad” gadget do you most regret purchasing?
Probably one of the instant cameras that came out a few years ago. That now sits in the closet.
All artwork and/or photographs used in this post are subject to copyright held by the featured artist.
ARE YOU READY FOR THE SPOTLIGHT? Simply respond to the questionnaire here to apply to be included in an upcoming Artie’s Eight Spotlight.
Photographer Jason Whitehead lives in Fredericksburg, a small town of German heritage in the heart of Texas Hill Country. Thanks to thriving vineyards, varied shopping and a slew of bed-and-breakfast inns, Jason’s hometown is no stranger to tourists who enjoy photographing the scenic terrain. The humanity of the moment. In order to differentiate his work, […]
Decorating your home with framed artwork and photographs is something that most of us have done. The artwork may have been framed at a custom shop or as a DIY project at home, but either way, those who take care of the final touches have probably encountered a problem that thousands have seen — and solved — before.
Problem #1: I don’t know what size frame to get.
One of the most common questions about framing involve frame sizes, along with mat board sizes. The print, photo or other type of artwork will determine the size of the frame, of course, but so does the addition (or lack of) mat board. When ordering a custom frame from Frame Destination, you can enter the size of your artwork to see what frame sizes are available. For more information about sizes, read our Guide to Frame and Mat Dimensions for Common Print Sizes, which offers several suggestions, but you can also visit a local frame shop.
Problem #2: The print slides around in the frame.
If you’ve never been taught otherwise, you may have simply sandwiched your print between the backing board and mat board and then placed it in the frame, believing that closing the frame would keep everything in place. However, that is often not enough to ensure that the print stays put.
Mounting a print to the backing board is what keeps everything together. There are many mounting methods to try, ranging from the basic — which are sometimes the non-conservation, permanent methods — to the advanced. Make sure that you choose an archival method if framing irreplaceable prints or other works of art.
Problem #3: There are smudges on the mat board.
Many professional framers wear cotton gloves to protect the framing materials while they are framing. At the very least, wash your hands thoroughly before beginning. Even if you wash your hands before you start handling the mat board, you may see a smudge or two. Regular pencil erasers and cheap rubber erasers will leave marks, and any old household cleaner may damage the mat board.
Try to gently erase the mark with a kneaded eraser or white vinyl eraser. Other cleaners that may work include document cleaner, isopropyl alcohol (sprayed gently or with a cotton ball), or specific stain removers such as K2R.
Problem #4: How do I hang a picture frame?
You may encounter a few problems when hanging a picture frame: where to hang it, how to hang it, and what materials to use. When it comes to placement on the wall, there is no right or wrong area — but there are certainly tips that determine how aesthetically pleasing it is. Our guide to hanging picture frames offers guidelines for placement, such as tracing the framed piece onto a piece of paper and taping it to the wall.
When it comes to actually hanging it, there are a few ways to do it: you could avoid making holes in your wall by hanging frames without nails or you can make a commitment to your decor with your trusty hammer. Whichever you choose, the Frame Destination Picture Hanger makes easy work of measuring.
Problem #5: The frame is always crooked.
Crooked picture frames are a common problem, but it’s one that’s easily fixed. A crooked frame is a sign that only one nail has been used to hang it, so try removing the center nail and instead use two, spaced away from each other.
Make sure that you use wall bumpers, included with each of our hanging kits, on each corner of the backside of the picture frame. While making sure the frame doesn’t bang against the wall, the wall bumpers also prevent the frame from sliding around.
Problem #6: The frame tilts away from the wall.
When a frame seems to be tipping forward at the top, it may be one of two culprits. The hooks to which the wire is attached may be too low on the backside of the frame. You should attach the hooks one third of the height of the frame from the top.
If that doesn’t help, the wire may also be too long for the frame. Try winding the wire tighter around the hooks or cut the wire shorter so that there is just some — but not too much — slack.
Problem #7: The glass seems a little bit loose in the frame.
You may see this with cheap, off-the-shelf frames — the rabbet is simply too large for the materials inside. A proper framing package will contain backing board, the print, and the mat board (if used). When the rabbet is too large for the contents, picture frame spacers, which are generally used to keep the print away from the glazing, can be used to ensure that the contents can fill the space.
Problem #8: There’s dust or other specks under the glazing.
Over time, you may see specks of dust or other unidentifiable “stuff” inside your frame. If your frame does not have any backing paper, you may have found the problem. Backing paper is not only an aesthetic addition to a frame, it also helps protect your art and keep debris out.
However, if you see dust right after you’ve put together your frame, don’t fret! Even professional picture framers will get dust inside a picture frame after they’ve spent time putting it all together. The best solution is to simply take the components apart, clean it again, and put it back together.
Following these tips should lead to a beautiful framed piece of decor or art, but if you are encountering other challenges, we’d would be happy to help. Simply leave a comment below or visit our contact us page for other methods to send your questions to us including email, phone or our live chat support during business hours.
Bonus Problem: My art is buckling in the frame.
With the glass and air quality seemingly working against your creation, what’s an artist to do? Learn why art buckles and how to prevent it with these tips: How to Prevent Art from Buckling in a Frame.
Last Updated November 2, 2021
Decorating your home with framed artwork and photographs is something that most of us have done. The artwork may have been framed at a custom shop or as a DIY project at home, but either way, those who take care of the final touches have probably encountered a problem that thousands have seen — and […]
During a road trip with her husband, then-wedding-coordinator Lotus McElfish began brainstorming new professions. As she considered her fondness for art and nature, the phrase “botanical artist” came to mind. And just like that, a new career was born.
Well, maybe not just like that. She did face a learning curve, but doing new creative things has never daunted Lotus. Fun fact: she and her woodworker built an off-the-grid cabin in the Colorado mountains. By hand.
But I digress.
Back to botany and art. As Lotus began studying her subject matter, she started documenting rare and endangered plant species. She wound up educating the public about her findings, and growing her own sense of conservation awareness. After all, who wouldn’t want to protect such poetic beauties as Pale Blue-Eyed Grass or the Texas Snowbell? In that way, Lotus would tell you that her art has changed her.
Along her newfound path, she discovered Frame Destination. One of her favorite frames is Wood Frame Profile 502 Black paired with the Bainbridge 4-ply Alphamat Snowflake White with Black Core. For Lotus, Frame Destination offers “excellent service, quality frames, and I love how I can even get the glass through you!”
See more of her work.
To see more of Lotus’s work, visit https://summerfish.wixsite.com/lotusmcelfish. For a glimpse of floral wonders currently gracing her art table, see her Instagram: https://www.instagram.com/lotus_mcelfish/. And if you’re wondering about Lotus’s favorite tool and her current botanical obsession, read on.
Now for Artie’s Eight with Lotus McElfish…
1. What is your background; how did you get started?
A few years ago my husband and I were on a road trip, planning to relocate and make a career change. During the trip, as an exercise in finding our new occupations, we were asking ourselves, "What are our passions?" I wanted to do more art (I was working as a wedding coordinator) and I mentioned that I used to make wreaths with foraged plants, take nature walks, did aromatherapy, etc. And then it hit me that I really like everything relating to botanical. I said out of the blue that I wanted to be a “botanical artist.” The problem: I had zero experience in watercolor techniques or botany. So, it has been a journey to get back into art, perfect my skill in watercolor and learn just what it means to be a botanical artist.” Mostly to take that leap and not take another job.
2. What role do you think the artist plays in society?
Game-changer.
3. What has been a formative experience or the best advice you’ve received within your career?
To follow your intuitions.
4. What ways does your work reflect your personality?
Delicate and dances!
5. Creative blocks, do you get them? If so, how do you overcome them?
Of course. I feel most often it is due to my own insecurities. Got to get that out of the way and know my own value and artistic voice.
6. What is your most indispensable tool? (Not counting the obvious, like paints, brushes, canvas, camera, etc.)
My magnifier. Lets me see the details on the plant that I don’t notice with my naked eye. Surprised sometimes to see a tiny insect that I don’t particularly want in my studio!
7. Do you have a new project you are working on, or a new passionate idea?
Exploring the geometry of plants and painting more endangered plants.
8. What is your favorite paint color name?
Quinacridone Gold.
All artwork and/or photographs used in this post are subject to copyright held by the featured artist.
ARE YOU READY FOR THE SPOTLIGHT? Simply respond to the questionnaire here to apply
to be included in an upcoming Artie’s Eight Spotlight.
During a road trip with her husband, then-wedding-coordinator Lotus McElfish began brainstorming new professions. As she considered her fondness for art and nature, the phrase “botanical artist” came to mind. And just like that, a new career was born. Well, maybe not just like that. She did face a learning curve, but doing new creative […]
For frequent concertgoers, heading to the merch table is often a must: it’s where you pick up your T-shirts, albums, and, of course, concert posters.
Concert poster collecting is on par with movie poster collecting, with a vast number of enthusiasts carefully scouring flea markets, secondhand stores, the internet and local venues for their next addition. Whatever the type of collection you have — vintage treasures or a chronicle of your concert experiences — displaying them in the right poster frame will not only make your posters look good, but it will keep them that way.
History of Music Poster Collecting
Regardless of use — concerts, movie or other events — posters grew in popularity and use in the 19th century, first in France and then in New York and London, thanks to advancements in lithography. They were, as they are now, advertisements collected as art, and even then were they carefully preserved.
Music posters were advertised as well, but the most popular among collectors are from the early rock and roll era to modern day. These posters range from the so-called “boxing style,” characterized by the easily readable block lettering and messaging found on posters of the 1940s to 1950s, to the 1960s’ psychedelic posters, popularized in part by the Fillmore series at the famed venue in San Francisco, and beyond.
These posters can fetch prices at auction in the thousands. At an auction in 2017, for example, a 1955 concert poster for Bill Haley and the Comets — a boxing-style poster — sold for nearly $18,000, far above the $2,000 to $5,000 estimate.
Types of Band and Music Posters
Just like movie posters, concert poster sizes differ depending on their age and use. They generally don’t have standard poster sizes, but there are common ones.
Handbills and Postcards
The smallest band poster is the postcard, which can measure, at its smallest, 4x8 inches. Handbills, appropriately named as they were handed out to advertise for the concert, measure 8.5x5, 8.5x10 or 8.5x11.
Venue Posters and Window Cards
Posters hung outside shops, on telephone poles and other locations are appropriately called window cards. These posters are found in sizes 14x22 and 14x20, the latter of which is most common among the Fillmore series; you may also find window cards in the larger “jumbo size” of 22x28. Large concert posters — the ones displayed in and outside the venue itself — range from 11x17 on the small side to 24x36. (We offer a range of 11 x 17 poster frames and 24 x 36 poster frames)
Framing Contemporary and Vintage Concert Posters
Whether you are looking to preserve your collection of concert posters or simply display them temporarily, choosing their frame is much like any framing project.
Mount Board
For those looking to simply decorate their living spaces with concert posters that can be easily replaced, regular foam board is suitable choice for mount board. With valuable vintage posters, on the other hand, a better choice is an acid-free foam board.
Replaceable concert posters can be dry mounted (i.e. permanently attached to the mount board). For vintage posters, use a reversible mounting method such as hinging with paper and starch adhesive.
Mat Board
Mat board isn’t generally necessary when framing concert posters, but you may want to add a layer of protection and a splash decoration to your posters. Certain 1960s-era concert posters look particularly striking when paired with black mat board or mat in a complementary color.
Again, the quality of the mat board depends on your desire to protect the print — if it’s a poster you’d like to protect, opt for archival quality or look for the term “acid-free.”
Glazing
Window cards, handbills and smaller posters can be framed with either glass or acrylic glazing. Make sure to use glazing with UV protection if you are looking to preserve the print. For 24x36 concert posters, you may choose to frame with acrylic as it is lighter weight and is less likely to break — important features if you expect to move the framed poster around.
Frames for Concert Posters
Concert posters can be framed in either wood or metal, but the sleek, unobtrusive style of metal frames may work best for those graphic-heavy psychedelic posters of the 1960s and straightforward boxing-style posters. Metal frames may also be a better choice for valuable vintage posters, as you’ll need to take extra steps if using a wood frame to ensure the poster never comes into contact with wood.
The frame you choose depends entirely on your taste — if you want to frame a 19th-century poster in modern metal and a modern poster in ornate wood, you can find the right poster frame to complement both your style and the style of the poster.
For frequent concertgoers, heading to the merch table is often a must: it’s where you pick up your T-shirts, albums, and, of course, concert posters. Concert poster collecting is on par with movie poster collecting, with a vast number of enthusiasts carefully scouring flea markets, secondhand stores, the internet and local venues for their next […]