If you’ve ever seen an old photo, you’ve likely noticed the distinct yellow tinge to the print. That’s not necessarily part of the old print making process; the discoloration could be a result of the way the photo was displayed or stored over time.

Photos and other artwork can become discolored overtime due to sun exposure, but also because of acid in the printing, framing and storage materials. This discoloration often takes on a yellow or brown look synonymous with “old” photos. In our previous blog post, What Kind of Picture Frame Prevents Yellowing, we discuss the reason discoloration happens and how to properly display your images to prevent yellowing. But what if you want to store, instead of display, your photos?

Storing Photos in a Photo Album

Photo albums are the perfect way to store photos while still keeping them accessible for viewing. To protect photos in a photo album from becoming discolored, it’s important to choose the right photo album and mounting materials.

Be sure you choose a photo album that has acid-free or preservation-quality pages. Regular paper or even cotton pages contain wood pulp (lignin) that can become acidic overtime. Opting for an album with treated pages ensure this won’t happen.

The pages alone are not enough to protect your photos, however. You also need to use archival quality mounting materials. Whether you prefer sticky photo tabs that mount behind the print or photo corners that hold the print in place, be sure you purchase a product that says “acid-free,” “archival,” “preservation,” or “museum-quality.” Lineco is a popular manufacturer of archival-quality art and photo mounting supplies.

To take protection to the next level, you can slide each photo into an acid-free clear bag before putting it into the photo album or place a piece of acid-free tissue paper between each page. If the tissue paper is disturbed when you view the album, take a moment to ensure all the sheets are in the proper place before putting the album away.

Photos stored in albums are exposed to less light (another trigger for discoloration), but that doesn’t mean they’re immune to the harmful effects of naturally occurring acid. That’s why it’s important to pay careful attention to the supplies you use. Choosing the right supplies will help preserve your memories for years to come.

Storing Photos in a Box

Many of us are guilty of storing old family photos in shoe boxes. Even “photo storage boxes” sold at craft stores are often simply decorative cardboard boxes. Just like all non-archival paper, this cardboard is prone to producing photo-farming acid over time.

To better protect your photos and prevent yellowing, store them in a museum-quality storage box. The archival storage boxes carried by Frame Destination are made of acid-free buffered board and have metal corners (rather than glued corners) to ensure adhesives don’t harm the photos or any other art or paper collectibles you’re storing. These boxes are available in a variety of sizes to help your properly store all your photos and prints.

Before packing away your prints, take photos out of any paper envelopes they’re in and place them between sheets of acid-free tissue paper or in acid-free plastic sleeves for further protection.

If you inherit or come across family photo collections or photo albums, take the time to move them to a new album or storage box to ensure they aren’t damaged further. Archival-quality photo mounting and storage supplies aren’t expensive, but can help preserve your precious memories and photo collections overtime – without the unsightly yellowing.

If you’ve ever seen an old photo, you’ve likely noticed the distinct yellow tinge to the print. That’s not necessarily part of the old print making process; the discoloration could be a result of the way the photo was displayed or stored over time. Photos and other artwork can become discolored overtime due to sun […]

Do you dream of being the star of a gallery show’s opening night? Welcome to the club. Whether you’re a professional or a hobbyist, most artists dream of seeing their work showcased in an art gallery. Yet landing a gallery show can be mystifying. Who do you talk to? What should you expect? How do gallery owners decide what shows to put on? How does the show actually happen once they say yes?

To help take some of the mystery out of the process, Mark previously reached out to our friends at 15th Street Gallery in Boulder, Colorado, and asked them for a few tips that could help hopeful artists land a gallery show.

1. Choose your gallery wisely.

Not all galleries are the right fit for every artist. When you’re shopping your show, it’s important to research the galleries you approach by visiting in person, exploring the website or speaking to the curator by phone. Having this intel beforehand will keep you from pitching your show to a gallery that isn’t a good fit for your art — or one that simply doesn’t put on artist shows.

In fact, my take is that it’s worth the effort to create a digital or paper checklist if you’re looking at more than one gallery. With checklist in hand, investigate the following:

• Does the gallery look like it has the space and proper aesthetic to complement your art? (There’s no point in approaching a gallery that clashes with your work.)

• What kind of art or artists do they specialize in?

• How often do they change shows?

• How far in advance is their show calendar booked?

• Do they accept artist shows or are they strictly curated?

2. Know your priorities … and the gallery’s.

Another important aspect of selecting, being selected by, and working with the right gallery is to make sure your priorities and goals align. Do you want to sell or simply display your art? Does the gallery sell or just display art? If you’re interested in selling art, how much commission are you comfortable with and how much does the gallery take?

Once you’ve identified your priorities and found galleries with the same intention, carefully curate a custom portfolio and present it to them. If the gallery prefers to show the works of local artists, play up your local angle and present any pieces you have that showcase your local ties. If you’re most interested in art sales, choose pieces that have the most commercial promise for your portfolio. Artwork Archive has additional tips for curating an eye-catching portfolio.

3. Work together on great framing.

Once your show has been scheduled, work with the gallery to get all your pieces mounted and framed in a way that matches your vision, enhances your art and complements the ambience of the gallery itself.

Some galleries offer professional framing services. If the gallery exhibiting your work does not, you can easily and affordably give your pieces a cohesive, gallery-ready look with high-quality DIY framing. You can even purchase durable bubble bags and frame corners to protect your art during transport to the gallery or to the new owner’s home after a piece has been sold.

To ensure your art is protected no matter the environment, use conservation-grade framing materials, such as pH-neutral matting, UV protective glazing and archival hinging for works on paper. Using archival frame materials doesn’t just protect your work, but actually adds prestige to your art.

4. Promote the event.

Galleries normally do some work to promote the event. However, depending on the size of the gallery and how often they put on shows, this can range from an email blast to a limited mailing list all the way to a nicely designed poster, formal press release and announcements to the local arts scene and media.

Ask the gallery what types of promotions they do and how you can help them. Share the calendar listing and event on your social media. Ask local art groups, event websites and publications if they have a free calendar you can get your show listed in.

If the gallery prints posters or flyers for shows, work with them to select a compelling image that represents your work and the show. Then ask them for some extra flyers and take them to your favorite haunts and popular spots in town.

My extra special tip: Consider making your own event and inviting your friends or sending an email to your local community. Facebook has a pretty easy five-step process for creating events.

5. Enjoy yourself!

Your art is hanging in a gallery show, so enjoy it! On opening night, circulate and talk to all the guests. You probably have a written artist statement that describes who you are as an artist, your inspiration and the type of work you do. For a gallery show, cull that down into an “elevator pitch” of just a couple sentences. I admit that I’ve always hated this part — mainly because I didn’t know what to say. Now I have my pitch committed to memory, plus an extended version on JoelyRogers.com:

“I create food illustrations using colored pencils that I sell on Fine Art America. My favorite subjects are anything related to growing, harvesting, preparing and serving food.”

While your show is up, feel free to stop by a few times to see it in its glory and bring some friends who might have missed the opening. Check in on sales, but don’t pester. Appreciate the fact that you have a successful gallery show and keep a memento — like a flyer or calendar listing — to help you remember the event.

Just think, there are fans out there who aren’t aware of your wonderful work. Don’t make them wait another moment to discover you!

Do you dream of being the star of a gallery show’s opening night? Welcome to the club. Whether you’re a professional or a hobbyist, most artists dream of seeing their work showcased in an art gallery. Yet landing a gallery show can be mystifying. Who do you talk to? What should you expect? How do […]

Emily Jones is a young Texas-based artist specializing in whimsical watercolor images. She’s also a newbie to DIY picture framing and was kind enough to write a blog post for us detailing her experiences with our website and products. Check out more of her artwork at Emily Erin Studios.


Hello, my name is Emily Jones and I am the creator of Emily Erin Studios, where I specialize in custom watercolor prints. I started doing art as a stress reliever and sold only a few pieces. After a while, a bunch of people wanted to buy my art and have custom prints done, so I created Emily Erin Studios in order to reach more customers. As a young artist, it is hard because I don’t have the education qualifications of an “artist.” But you don't need credentials to do what you love, especially if others enjoy your work.

Moving forward with my art, I realized my prints were missing something – frames! A print by itself is just art on a page, just a flimsy piece of paper with watercolor on it. When you add a frame, you are displaying the art; you are showing it off. I have never worked with frames before, I was nervous about ordering the wrong size or the wrong mat color. I wanted to make my art POP and display it with pride. I went to Frame Destination for my first experience with frames and let me tell you, it was awesome! I'll start with the online experience then go into the shipping, packaging, the frames themselves, and my overall experience.

Ordering Custom Frames Online

Frame Destination's online ordering rocks. It was so easy to navigate and find what I needed. You just pick which material you want and you can order it in a package that comes with the frame, the backing, the matting and the glazing. It was so convenient to order it all in a set; I could just take my art piece, put it in the frame, and BOOM I’m done. I am super awful with measurements, but all you have to do is put in the size of your print and it has pre-set measurements for you. Next, I selected the type of mat and the color. For choosing the color of the mat, I just wanted what would look best with my print, so ordered a sand color for one and two different shades of white for the others. I did this for all three of my frames and I placed my order within 20 minutes. Easy!

(Editor's Note: We have a new instructional video that helps first time customers order a custom frame that perfectly suits their needs. To order a standard-size frame in just a few clicks, try our easy Find-A-Frame picture frame ordering option.)

Shipping

I selected the ground shipping, so I did not rush my package at all but it still arrived incredibly fast.

Not only was the shipping quick, but I received all of my items in great shape. Nothing was missing and nothing was broken. The one concern I had about ordering frames was that maybe the acrylic glass would break or scratch along the way, but it was perfectly wrapped so no mistakes were made. The pictures below, you'll see the packaging and the items I received.

Frame Destination Shipping - Careful Packaging

Frames securely wrapped for safe shipping

Frame Destination Packaged Framing Kit

My nicely packaged framing kit.

Frame Destination frames

My frames ready to hold my art.

Frame Destination - Frame Glazing

My protected acrylic frame glazing.

The Frames

Now let’s talk about the frames. For such a great price I wasn’t expecting the quality I received. The frames themselves are gorgeous. They were absolutely flawless, made with excellent craftsmanship. Nothing was chipped or made cheaply.

I ordered the Nielsen Profile 15 (matte black), the Wood Frame Profile 500 (walnut), and the Nielsen Profile 117 (frosted silver). They have such a huge selection to choose from online, I ordered just a few basic ones because I really wasn’t looking for a huge fancy frame, but they have them if that is what you need. The complete frame set includes the frame itself, the mat board (in your choice of brand, ply and color), the glazing (acrylic or glass with a variety of finish options), the foam for the back, and backing so you can hang your frame. The wood frame was just an easy pull out and put in; you pull up the back, position your print, and pop the back into place. For the metal frame I chose, however, you must remove spring clips and then unscrew one side of the frame and slide your piece in there. Thankfully there were detailed instructions on how to do this because, if you’re like me and have never used a screwdriver before, you may have had trouble if there were no instructions.

Framed Art

My art framed using custom ordered frames from Frame Destination.

Final Thoughts

My overall experience with Frame Destination was incredible. Everything was just so easy and convenient, the quality was breathtaking, and the people of the company were truly splendid to work with. Whether you are a beginner and have no idea what you’re doing or you’re a master and need something to display your work, Frame Destination meets every need. I am going to come to Frame Destination for all of my framing needs, they gave my artwork exactly what it needed to feel complete.   - Emily Jones 

Emily Jones is a young Texas-based artist specializing in whimsical watercolor images. She’s also a newbie to DIY picture framing and was kind enough to write a blog post for us detailing her experiences with our website and products. Check out more of her artwork at Emily Erin Studios. Hello, my name is Emily Jones and […]

We’ve all experienced taping posters, photos, and other artwork to our walls without bothering with a picture frame. As adults, this approach doesn’t always go with the polished décor in the rest of the home.

If you like the low-profile look of art and photos without a frame, you can still achieve a clean, professional aesthetic by properly mounting and displaying unframed art. Even without a frame, you can still include a border around the art for a simple “framed” look, or you can opt for completely borderless display.

With a Border

Using a mat allows you to “frame” your art or photo with a colorful border without using an actual picture frame. Mat boards come in a variety of colors and can be cut to custom sizes so you can have as much or as little boarder as you’d like.

When dealing with mat board for display you have two mounting options. The simplest approach is to mount your artwork or photo directly onto uncut mat board. The uncut mat gives you a relatively large working area, so you can center the artwork, or mount it off center to give your piece a more modern look with a heavier weighted side. You can also use the uncut mat as your base for a collage. These are just a few of the most popular mat board design styles.

For heavier art, you may want to secure the art to a mount board first. In this case, you can use a hinging technique to attach your cut mat board on top of the mounted artwork. Be aware, this technique could cover a thin area around the ages of your art and will sit slightly further off the wall than mounting directly onto the mat.

No Border

If you prefer a minimalist look with no frame or border, but want to give you art or photo more support, affix it directly to a mounting board. There are several mount boards to choose from, including some self-adhesive boards that make mounting even easier.

To achieve this effect, opt for a mount board that is cut exactly to the size you need, or mount your art on a larger board then carefully cut the board to size. Once done, your photo or artwork will have added support and stability without any framing or border.

Keep in mind, with this technique you will see the edges of the mount board if you decide not to frame your art. To make the edges of the board as inconspicuous as possible, choose a mount board color that best fits the art or your overall décor – Frame Destination carries mount boards and foam boards in white, pure white, and black.

Mastering the Techniques

There are several ways you can successfully and safely mount your art to either a mat board or a foam mount board. Understanding the different techniques will help you choose the right picture mounting technique for each project.

Common mounting techniques include:

You can learn more about each type of mounting and see pictures of the techniques in Frame Destination’s picture mounting guide.

Choosing Your Supplies

Successfully displaying art without a frame requires the right supplies. Besides a mat board or a mounting board, you’ll need photo mounting supplies. This often includes:

Many of these are interchangeable and based on preference.

If you want your art, photo, or document to last a long time, be careful to choose archival, museum, or conservation quality supplies. These supplies are acid free in order to protect your art or photo from yellowing and other degradation. To truly protect your art, use archival quality mount and mat boards as well as archival quality mounting supplies.

While using conservation or archival quality supplies will help protect your unframed art, your art will never be as well protect as it would be when framed using the same products as well as acid-free frame backing paper and UV-filter glazing. Without UV-filter glazing, your art will be exposed to harmful UV rays and may fade or experience dis-coloration over time.

Displaying Your Art

Now that your art is properly mounted and ready to be displayed without a frame, all that’s left to do is arrange your display and hang your photos or art for your own custom gallery look.

We’ve all experienced taping posters, photos, and other artwork to our walls without bothering with a picture frame. As adults, this approach doesn’t always go with the polished décor in the rest of the home. If you like the low-profile look of art and photos without a frame, you can still achieve a clean, professional […]

Floater frames are one of our top-selling items for artists looking for a way to give their stretched canvases a more professional look. These frames are named for the illusion they create: once set in the frame, the artwork “floats” within it, providing a striking, streamlined, and altogether elegant appearance. With floater frames, the artwork’s edges are not covered and the entire front surface of the piece is visible.

We offer both metal and hand-assembled wood floating canvas frames in a variety of colors and styles. Today’s post focuses on how to frame a large (over 20” x 24”) gallery-wrapped canvas in one of our wood floater frames.

When you purchase a wood floater frame from Frame Destination, this is what you will receive in the floater frame package:

 STEP 1 – Position the canvas. Place your stretched canvas face down on a flat surface, a dining room table works well. If your canvas is shorter than the rabbet of the floater frame, place it face down on something that will raise it enough without obstructing the floater frame.

 Step 1 - Position the Canvas

STEP 2 – Position the floater frame. Place the floater frame face down over the canvas. The back side of the stretcher frame and the back side of the floater frame should be visible, and the floater frame should be resting on the stretcher frame.

 Step 2 - Position the Floater Frame

STEP 3 – Center the canvas. From this position, measure and adjust the visible portion of the stretcher frame until all sides are equal by adjusting the placement of the floater frame over the canvas.

Step 3 - Center the Canvas

STEP 4 – Set top and bottom offset clips. *Do not screw into the floater frame.* Place the frame in a vertical orientation. Position an offset clip on the bottom center of the floater frame with the screw-hole against the stretcher frame. Use a Phillips screwdriver to drive the screw into the stretcher frame, NOT the floater frame. Position a second offset clip on the top center of the floater frame and screw it into the stretcher frame.

STEP 5 – Check the vertical and horizontal position of the canvas. Turn the assembly package over and verify that the canvas is still centered vertically. If not, move the clips as needed. Adjust the canvas so that it is centered horizontally.

STEP 6 – Set left and right offset clips. Place the assembly package face down again. The frame in today’s example is larger than 20” x 24”, so we will be using 12 clips. (If your frame is 20” x 24” or smaller check out this clip placement diagram.)  As you add the left and right clips verify the canvas is still centered.

Framing with a Floater Frame Steps 4 5 6

STEP 7 – Final position check. Turn the assembly package over and do a final verification that the canvas is centered properly. With 4 clips installed you should still be able to rotate the canvas slightly. Make sure the empty space between canvas and inner edge of the floater frame is even all the way around.

Step 7 - Final Position Check

STEP 8 – Set remaining offset clips. Place the remaining clips near the top and bottom corners on all four sides of the frame.

Step 8 - Set Remaining Offset Clips

STEP 9 – Prepare for hanging. Screw the hangers into the back of the stretcher frame. Attach the hanging wire to the hangers and tie off. Place a wall bumper protector on each lower corner of the floater frame.

Step 9 - Hanging Kit

STEP 10 – Display. Hang your beautifully floated canvas art! As you can see, the canvas appears to float within the frame. The wood canvas floater frame used in today’s example is our F140 in Warm Silver. (Artwork by Joely C. Rogers)

Step 10 - FinishedFloaterFrame

Floater frames are one of our top-selling items for artists looking for a way to give their stretched canvases a more professional look. These frames are named for the illusion they create: once set in the frame, the artwork “floats” within it, providing a striking, streamlined, and altogether elegant appearance. With floater frames, the artwork’s […]

Art Inc. by Lisa Congdon

Lisa Congdon wants your dream of becoming a working artist to come true. And her book, Art Inc., is all about how to make to that dream a reality. This cute little book contains seven jam-packed chapters focused on the business aspects of being an artist. She starts by urging you to embrace yourself as an artist then continues with vision mapping and goal-setting. From there, she moves on to selling and promoting your work, and then discusses how to go after different income streams. Finally, she closes with advice on how to manage the ebb and flow of success, including downtime – a very important part of being an artist. The book also features interviews with nineteen artists who discuss their business practices, and contains an extensive resources section.

Initially, I had planned to do a chapter-by-chapter review, but the book has so much information that I decided to pick a small section to focus on. I chose “Building Your Vision and Accomplishing Goals” from Chapter 2 – Getting Down to Business. In this section, she outlines a four-step process for creating a vision for your art business and setting goals to achieve that vision. Since I’m an artist, I thought this would be a great experiment.

I have been creating art since I was five years old, so a solid 41 years, and have tried just about every art medium and subject. These days, I mostly focus on art related to food. I have a website and would like to eventually do more with my art, but have been too busy with my real job, i.e. Vice President of Frame Destination, for the last 11 years to figure out any long term goals related to it.

Step One – Build Your Vision Map

Lisa says, “The first step in setting goals is to make a vision map for where you would like your art career to be in three to five years.” How to do it? She says to write your name in the middle of a piece of paper; I suggest mixed media paper, so you can paint on it if desired, and draw a circle around your name. Then, select a few vision statements, draw an equal number of lines extending out from the circle’s edge, and write a vision statement on each line. I made my vision statements as ambitious and free of judgement as possible.

My Vision Statements:

According to Lisa, the finished vision map should resemble a sun. I actually turned mine into a flower, which is more appealing to me than a sun. You can draw on an inspirational photograph, or even do it in Photoshop or another digital editing program, like I did.

Frame Destination - Book Review Art Inc

Step Two – Articulate Your Values

Lisa urges the reader to clarify their values from the start by using statements like “Selling my work will feel good as long as I…” or “I will feel good about my success as long as I…” She says “Clarifying your values will help you clearly communicate what your business is about to galleries, customers, collectors, suppliers, or potential clients.”

This took some thought because up until the past few years, my art has been mostly private aside from occasional showings to family or friends. The value statement that arose from my thinking was, “I will feel good about showing and selling my work if I can provide high quality products at a reasonable price, and have fun doing so.”

Step Three – Set Intermediate Goals

Lisa defines intermediate goals as ones that are small enough to complete within a few weeks to several months. She says, “Think about the big goals from the vision map, and set one to three intermediate goals that will work toward achieving them.” She said they should be concrete and produce a tangible result. I took two of my vision statements and broke each one down into two intermediate goals.

Sell prints and other products through my website

Teach an online class on culinary art journaling

Step Four – Develop Small Actionable Tasks

The final step in this exercise requires you to create several smaller tasks for each intermediate goal. Lisa suggests making them extremely detailed and specific. She says, “Make sure each task is something you can complete in a few hours so that you have a sense of accomplishment each day.” So for my “teach an online class on culinary art journaling” intermediate goal, I created the following tasks.

I really enjoyed this exercise. The vision map helped me create a clear picture of what I’d like to accomplish with my art in the next five years. Doing the intermediate goals and small actionable task lists gave me a structure that feels doable and manageable.

In summary, if you are already a working artist and satisfied with your income stream, this book probably isn’t for you. But, if you are ready to take that leap from hobbyist to professional artist or are already a professional looking for new ways to sell your work, I strongly suggest buying it. My only criticism of the book, and it’s a small one, is her use of a dark orange background for the artist interview sections. The book’s cover and a lot of headers inside have that same orange, so I think she was trying to create a feeling of unity. However, the orange background made the artist interviews extremely difficult for me to read. I purchased the paperback; perhaps the eBook has different formatting.

Happy art-making! And, please don’t forget Frame Destination when you need frames for all those prints you start selling. We can do custom sizes up to 40” x 60” inches and offer mat boards, mount boards, glass and acrylic glazing, and all types of framing supplies.

Art Inc. by Lisa Congdon Lisa Congdon wants your dream of becoming a working artist to come true. And her book, Art Inc., is all about how to make to that dream a reality. This cute little book contains seven jam-packed chapters focused on the business aspects of being an artist. She starts by urging […]